FONS SASTRE, MARTÍN BIENVENIDO
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Article
Científica
0.1
01/01/2012
2-s2.0-84864444765
This paper analyzes the Tanztheater proposals devised by Spanish creator Marta Carrasco, focusing on the performance of the actor/dancer from the point of view of the theories of the grotesque. This perspective allows us to talk about a grotesque acting style based on the work of the performer's body on stage, or bios. This style displays a series of formal characteristics that have their physical translation in the staging of Carrasco's creations. © UNED.
Acting; Grotesque; Performing arts; Tanztheater